Linguistique de l’écrit

Revue internationale en libre accès

Livre | Chapitre

188398

The final frontier?

religion and posthumanism in film and television

Elaine Graham

pp. 361-370

Résumé

In his history of science fiction (SF), Brian Aldiss robustly defends his choice of origins of the genre against those who would claim either "amazing newness' — and locate its beginnings in 20th-century tales of space travel — or "incredible antiquity" in Greek or Hindu mythology or biblical literature (Aldiss 1973, 10). For him, SF, firstly as literature and, since the early 20th century, in cinema and latterly in television, begins definitively with the publication in 1818 of Mary Shelley's Frankenstein. It was a product of its cultural context, blending Romantic and Gothic genres in a reflection on the consequences of human technological power at the very moment in Western history when the Industrial Revolution was gaining momentum.

Détails de la publication

Publié dans:

Hauskeller Michael, Philbeck Thomas D., Carbonell Curtis D. (2015) The Palgrave handbook of posthumanism in film and television. Dordrecht, Springer.

Pages: 361-370

DOI: 10.1057/9781137430328_36

Citation complète:

Graham Elaine, 2015, The final frontier?: religion and posthumanism in film and television. In M. Hauskeller, T. D. Philbeck & C. D. Carbonell (eds.) The Palgrave handbook of posthumanism in film and television (361-370). Dordrecht, Springer.