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The tuning-in relationship
from a social theory of music towards a philosophical understanding of intersubjectivity
pp. 209-227
Résumé
In this paper I deal with Schutz's approach to intersubjectivity. First I present his concept of the mutual tuning-in relationship as a polythetic constitutional process. Then I retrieve some of Zaner's criticisms about Schutz's characterization of the thou-orientation as an appresentational and symbolic relation. Then I go back to Scheler's perceptual theory of the alter ego sketching out a number of differences with Schutz's theory, contesting some of the criticisms posed by Zaner. After this I take Luckmann's description of the process of mirroring as a key concept to understand how the tuning-in relationship is established. Finally, I go back to try and answer Zaner's criticisms.
Détails de la publication
Publié dans:
Barber Michael, Dreher Jochen (2014) The interrelation of phenomenology, social sciences and the arts. Dordrecht, Springer.
Pages: 209-227
DOI: 10.1007/978-3-319-01390-9_15
Citation complète:
Belvedere Carlos, 2014, The tuning-in relationship: from a social theory of music towards a philosophical understanding of intersubjectivity. In M. Barber & J. Dreher (eds.) The interrelation of phenomenology, social sciences and the arts (209-227). Dordrecht, Springer.