Studia Phaenomenologica

Revue | Volume

Volume 16

Détails | Table des matières

What is film phenomenology? Christian Ferencz-Flatz(Alexandru Dragomir Institute for Philosophy)Julian Hanich

pp.11-61

https://doi.org/10.5840/studphaen2016161

"Rhe active eye" (revisited)

toward a phenomenology of cinematic movement

Vivian Sobchack

pp.63-90

https://doi.org/10.5840/studphaen2016162

Kamera und Leib

Film in statu nascendi

Hans Rainer Sepp(Středoevropský institut filosofie, Univerzita Karlova v Praze)

pp.91-109

https://doi.org/10.5840/studphaen2016163

Ontologie du mouvement, peinture et cinéma chez Merleau-Ponty Pierre Rodrigo

pp.111-133

https://doi.org/10.5840/studphaen2016164

Le plan subjectif réversible

sur le point de vue au cinéma à partir des écrits de Merleau-Ponty

Anna Caterina Dalmasso

pp.135-162

https://doi.org/10.5840/studphaen2016165

The cinematic point of view

thinking film with Merleau-Ponty

Orna Raviv

pp.163-183

https://doi.org/10.5840/studphaen2016166

Roman Ingarden et le cinéma

entre visibilité et musicalité

Olivier Malherbe

pp.185-214

https://doi.org/10.5840/studphaen2016167

Phenomenological film theory and Max Scheler's personalist aesthetics Matthew Rukgaber

pp.215-240

https://doi.org/10.5840/studphaen2016168

Le problème de l'identification filmique reconsidéré Jean-Pierre Meunier

pp.241-268

https://doi.org/10.5840/studphaen2016169

Husserl and cinematographic depictive images

The conflict between the actor and the character

Regina-Nino Mion(Eesti Kunstiakadeemia)

pp.269–293

Cinema consciousness

elements of a husserlian approach to film image

Claudio Rozzoni

pp.295-324

https://doi.org/10.5840/studphaen20161611

The mutation of our relations with screens as a mutation of our relations with being Mauro Carbone

pp.325-342

https://doi.org/10.5840/studphaen20161612

Cinematic signs and the phenomenology of time

Deleuze and the visual experience of temporal depth

Corry Shores

pp.343-372

https://doi.org/10.5840/studphaen20161613

Haunted phenomenology and synesthetic cinema Jennifer M. Barker

pp.373-408

https://doi.org/10.5840/studphaen20161614

How it feels

black screen as negative event in early cinema and 9/11 films

Tanya Shilina-Conte

pp.409-438

https://doi.org/10.5840/studphaen20161615

Experiential realism and motion pictures

a neurophenomenological approach

Jane Stadler

pp.439-465

https://doi.org/10.5840/studphaen20161616

Circulus vitiosus deus

Merleau-Ponty's ontology of ontology

Frank Chouraqui(Universiteit Leiden)

pp.469-487

https://doi.org/10.5840/studphaen20161617

Chōra in Heidegger and Nishida John Krummel

pp.489-518

https://doi.org/10.5840/studphaen20161618

Das Affektive als Welt- und Fremderfahrung

zur Einheit radikal phänomenologischer Wirklichkeit als Lebensimmanenz

Rolf Kühn

pp.519-550

https://doi.org/10.5840/studphaen20161619

Affectivité et imaginaire chez Merleau-Ponty

nouvelles lectures

Christopher Lapierre

pp.551-588

https://doi.org/10.5840/studphaen20161620

Kraft der Dinge

phänomenologische Skizzen

Mădălina Diaconu

pp.591-594

https://doi.org/10.5840/studphaen20161621

Making sense of Heidegger

a paradigm shift

Lucian Ionel

pp.594-598

https://doi.org/10.5840/studphaen20161622

Naissance mystique et divinisation chez maître Eckhart et Michel Henry Rolf Kühn

pp.598-602

https://doi.org/10.5840/studphaen20161623

Aesthetics and the embodied mind

beyond art theory and the cartesian mind–body dichotomy

Ştefan-Sebastian Maftei

pp.602-607

https://doi.org/10.5840/studphaen20161624

Détails de la publication

Revue: Studia Phaenomenologica

Volume: 16

Année: 2016

Citation complète:

(dir.), 2016, Studia Phaenomenologica 16.