Ingardeniana II

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Ingardeniana II

New studies in the philosophy of Roman Ingarden

Édité parHans Rudnick

Détails | Table des matières

Table of contents

pp.v-vi

Roman Ingarden's timeless contribution to philosophy Anna-Teresa Tymieniecka

pp.ix-xiii

http://link.springer.com/content/pdf/bfm%3A978-94-009-1964-8%2F1%2F1.pdf

Editor's introduction Hans Rudnick

pp.xv-xvi

http://link.springer.com/content/pdf/bfm%3A978-94-009-1964-8%2F1%2F1.pdf

Roman Ingarden's philosophical legacy and my departure from it

The creative freedom of the possible worlds

Anna-Teresa Tymieniecka

pp.3-23

https://doi.org/10.1007/978-94-009-1964-8_1

Tymieniecka and the philosophy of Roman Ingarden

pp.1-47

A new phenomenology

A.-T. Tymieniecka's departure from Husserl and Ingarden

Jadwiga Smith

pp.25-36

https://doi.org/10.1007/978-94-009-1964-8_2

Husserl, Ingarden and Tymieniecka Kurt Hanneborg

pp.37-47

https://doi.org/10.1007/978-94-009-1964-8_3

Ingarden and literary theory

pp.49-103

Réduction phénoménologique et intuition

A propos du rapport Husserl—Ingarden

Jozef Sivák

pp.51-69

https://doi.org/10.1007/978-94-009-1964-8_4

The aesthetic theory of Ingarden and its philosophical implications Nadia Delle Site

pp.71-84

https://doi.org/10.1007/978-94-009-1964-8_5

The new criticism and Ingarden's phenomenological theory of literature Zhang Jin-Yan

pp.85-94

https://doi.org/10.1007/978-94-009-1964-8_6

Roman Ingarden's contribution to the reading and analysis of the literary text Gerald Nyenhuis

pp.95-103

https://doi.org/10.1007/978-94-009-1964-8_7

The applicability of Ingarden's theory

pp.105-180

Kritische Bemerkungen zu Ingardens Deutung des Bildes Walter Biemel

pp.107-122

https://doi.org/10.1007/978-94-009-1964-8_8

The debate over stratification within aesthetic objects Eugene F Kaelin

pp.123-138

https://doi.org/10.1007/978-94-009-1964-8_9

Ingarden's "strata-layers" theory and the structural analysis of the ancient Chinese Kunqu opera You Zheng Li

pp.139-156

https://doi.org/10.1007/978-94-009-1964-8_10

Roman Ingarden's "points of indeterminateness"

A consideration of their practical application to literary criticism

Joseph Strelka

pp.157-169

https://doi.org/10.1007/978-94-009-1964-8_11

Roman Ingarden and the Venus of Milo Hans Rudnick

pp.171-179

https://doi.org/10.1007/978-94-009-1964-8_12

Ingarden and the nature of the literary work of art

pp.181-222

The verifiability principle

Variations on Ingarden's criticism

Jan Woleński(Uniwersytet Jagielloński)

pp.183-192

https://doi.org/10.1007/978-94-009-1964-8_13

The aesthetic object and the work of art

Reflections on Ingardens theory of aesthetic judgment

Wlodzimierz Galewicz

pp.193-210

https://doi.org/10.1007/978-94-009-1964-8_14

Roman Ingarden's idea of relatively isolated systems Janina Makota

pp.211-222

https://doi.org/10.1007/978-94-009-1964-8_15

Roman Ingarden

An international bibliography (1915-1989)

Hans Rudnick Jolanta Wawrzycka

pp.225-296

https://doi.org/10.1007/978-94-009-1964-8_16

Index of names

pp.297-299

Détails de la publication

Maison d'édition: Kluwer

Lieu de publication: Dordrecht

Année: 1990

Pages: 302, xvii

Collection: Analecta Husserliana

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: 30

DOI: 10.1007/978-94-009-1964-8

ISBN (hardback): 9789401073783

ISBN (digital): 978-94-009-1964-8

Citation complète:

Rudnick Hans (éd.), 1990, Ingardeniana II: New studies in the philosophy of Roman Ingarden. Dordrecht, Kluwer.