Linguistique de l’écrit

Revue internationale en libre accès

Livre | Chapitre

201005

Hello to all that

"credit crunches", "great depressions" and journalistic retrojection

David Deacon

pp. 102-119

Résumé

One of the standout tracks of Bob Dylan's 2006 album "Modern Times' is "Working Man's Blues #2".1 On first listening, the elegiac melody and lyrics describing the desperation and hunger of an unemployed man facing an itinerant future and the loss of his family evoke powerful associations with the Great Depression of the 1930s. This historical connection is partly conjured by references in the lyrics to humming rails, lost dimes, burned barns and stolen horses, and partly by inter-textual references to earlier popular songs about the plight of the American working classes. The inclusion of "#2" in the title acknowledges Merle Haggard's 1969 song of the same name and the chorus contains direct quotations from June Christy's 1946 song "June's Blues". On further listening, however, it is also clear that the song is as much about the contemporary world as it is about distant dustbowls and depressions

Détails de la publication

Publié dans:

Keightley Emily (2012) Time, media and modernity. Basingstoke, Palgrave Macmillan.

Pages: 102-119

DOI: 10.1057/9781137020680_6

Citation complète:

Deacon David, 2012, Hello to all that: "credit crunches", "great depressions" and journalistic retrojection. In E. Keightley (ed.) Time, media and modernity (102-119). Basingstoke, Palgrave Macmillan.