Music, Gestalt, and computing

Livre

Music, Gestalt, and computing

studies in cognitive and systematic musicology

Édité parMarc Leman

Détails | Table des matières

Introduction Marc Leman

pp.1-9

https://doi.org/10.1007/BFb0034103

Origin and nature of cognitive and systematic musicology

an introduction

Marc Leman Albrecht Schneider

pp.11-29

https://doi.org/10.1007/BFb0034104

Systematic, cognitive and historical approaches in musicology Jukka Louhivuori

pp.30-41

https://doi.org/10.1007/BFb0034105

Empiricism, Gestalt qualities, and determination of style

some remarks concerning the relationship of guido adler to Richard Wallaschek, Alexius Meinong, Christian Von Ehrenfels, and Robert lach

Michael Weber

pp.42-56

https://doi.org/10.1007/BFb0034106

Gestalt concepts and music

limitations and possibilities

Mark Reybrouck

pp.57-69

https://doi.org/10.1007/BFb0034107

Logic, Gestalt theory, and neural computation in research on auditory perceptual organization Randolph Eichert Lüder Schmidt Uwe Seifert

pp.70-88

https://doi.org/10.1007/BFb0034108

Knowledge in music theory by shapes of musical objects and sound-producing actions Rolf Inge Godøy

pp.89-102

https://doi.org/10.1007/BFb0034109

Statistical Gestalts — perceptible features in serial music Elena Ungeheuer

pp.103-113

https://doi.org/10.1007/BFb0034110

"Verschmelzung", tonal fusion, and consonance

Carl Stumpf revisited

Albrecht Schneider

pp.115-143

https://doi.org/10.1007/BFb0034111

Schema and Gestalt

testing the hypothesis of psychoneural isomorphism by computer simulation

Marc Leman Francesco Carreras

pp.144-168

https://doi.org/10.1007/BFb0034112

Self-organizing neural nets and the perceptual origin of the circle of fifths Nicola Cufaro Petron Matteo Tricarico

pp.169-180

https://doi.org/10.1007/BFb0034113

A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality Richard Parncutt

pp.181-199

https://doi.org/10.1007/BFb0034114

"Good", "rair", and "bad" chord progressions

a regression-analysis of some psychological chord progression data obtained in an experiment by j. bharucha and c. krumhansl

Daniel Werts

pp.200-213

https://doi.org/10.1007/BFb0034115

Problems of shape and background in sounds with inharmonic spectra Jenö Keuler

pp.214-224

https://doi.org/10.1007/BFb0034116

A method of analysing harmony, based on interval patterns or "Gestalten" Roland Eberlein

pp.225-236

https://doi.org/10.1007/BFb0034117

Neural network models for the study of post-tonal music Eric Isaacson

pp.237-250

https://doi.org/10.1007/BFb0034118

Tempo relations

is there a psychological basis for proportional tempo theory?

Marek Franěk Jiří Mates

pp.251-262

https://doi.org/10.1007/BFb0034119

A framework for the subsymbolic description of meter Dirk Moelants

pp.263-276

https://doi.org/10.1007/BFb0034120

Musical rhythm

a formal model for determining local boundaries, accents and metre in a melodic surface

Emilios Cambouropoulos

pp.277-293

https://doi.org/10.1007/BFb0034121

Effects of perceptual organization and musical form on melodic expectancies Carol Krumhansl

pp.294-320

https://doi.org/10.1007/BFb0034122

Continuations as completions

studying melodic expectation in the creative microdomain seek well

Steve Larson

pp.321-334

https://doi.org/10.1007/BFb0034123

Optimizing self-organizing timbre maps

two approaches

Petri Toiviainen

pp.335-350

https://doi.org/10.1007/BFb0034124

Towards a more general understanding of the nasality phenomenon Milan Rusko

pp.351-361

https://doi.org/10.1007/BFb0034125

Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research Christoph Reuter

pp.362-374

https://doi.org/10.1007/BFb0034126

Cross-synthesis using interverted principal harmonic sub-spaces Thierry Rochebois Gérard Charbonneau

pp.375-385

https://doi.org/10.1007/BFb0034127

Gestalt phenomena in musical texture Dalia Cohen Shlomo Dubnov

pp.386-405

https://doi.org/10.1007/BFb0034128

Technology of interpretation and expressive pulses Andranick Tanguiane

pp.407-420

https://doi.org/10.1007/BFb0034129

Intonational protention in the performance of melodic octaves on the violin Janina Fyk

pp.421-430

https://doi.org/10.1007/BFb0034130

Sonological analysis of clarinet expressivity Sergio Canazza Giovanni De Poli Stefano Rinaldin Alvise Vidolin

pp.431-440

https://doi.org/10.1007/BFb0034131

Perceptual analysis of the musical expressive intention in a clarinet performance Sergio Canazza Giovanni De Poli Alvise Vidolin

pp.441-450

https://doi.org/10.1007/BFb0034132

Singing, mind and brain — unit pulse, rhythm, emotion and expression Eliezer Rapoport

pp.451-468

https://doi.org/10.1007/BFb0034133

Emulating Gestalt mechanisms by combining symbolic and subsymbolic information processing procedures Udo Mattusch

pp.469-481

https://doi.org/10.1007/BFb0034134

Interactive computer music systems and concepts of gestalt Paul Modler

pp.482-494

https://doi.org/10.1007/BFb0034135

Gestalt-based composition and performance in multimodal environments Antonio Camurri Marc Leman

pp.495-508

https://doi.org/10.1007/BFb0034136

List of sound examples on the CD

pp.509-516

https://doi.org/10.1007/BFb0034137

Détails de la publication

Maison d'édition: Springer

Lieu de publication: Dordrecht

Année: 1997

Pages: 516

ISBN (hardback): 978-3-540-63526-0

ISBN (digital): 978-3-540-69591-2

Citation complète:

Leman Marc (éd.), 1997, Music, Gestalt, and computing: studies in cognitive and systematic musicology. Dordrecht, Springer.