Linguistique de l’écrit

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146817

Investigations into the phenomenology and the ontology of the work of art

what are artworks and how do we experience them?

Édité parPeer F. Bundgaard Frederik Stjernfelt

Détails | Table des matières

Introduction Peer F. Bundgaard

pp.1-13

https://doi.org/10.1007/978-3-319-14090-2_1
Temporal aspects of literary reading David S. Miall

pp.15-30

https://doi.org/10.1007/978-3-319-14090-2_2
Memory and mental states in the appreciation of literature Marisa Bortolussi Peter Dixon

pp.31-49

https://doi.org/10.1007/978-3-319-14090-2_3
Temporal conflict in the reading experience Cathrine Kietz

pp.51-73

https://doi.org/10.1007/978-3-319-14090-2_4
The aesthetic experience with visual art "at first glance" Paul J. Locher

pp.75-88

https://doi.org/10.1007/978-3-319-14090-2_5
What is a surface? in the real world? and pictures? John M. Kennedy Marta Wnuczko

pp.89-107

https://doi.org/10.1007/978-3-319-14090-2_6
The idiosyncrasy of beauty

aesthetic universals and the diversity of taste

Patrick Hogan

pp.109-127

https://doi.org/10.1007/978-3-319-14090-2_7
Why we are not all novelists Shaun Gallagher(Department of Philosophy, University of California Berkeley)

pp.129-143

https://doi.org/10.1007/978-3-319-14090-2_8
Aesthetic relationship, cognition, and the pleasures of art Jean-Marie Schaeffer

pp.145-165

https://doi.org/10.1007/978-3-319-14090-2_9
More seeing-in

surface seeing, design seeing, and meaning seeing in pictures

Peer F. Bundgaard

pp.167-189

https://doi.org/10.1007/978-3-319-14090-2_10
Depiction John Hyman

pp.191-208

https://doi.org/10.1007/978-3-319-14090-2_11
Green war banners in central copenhagen

a recent political struggle over interpretation—and some implications for art interpretation as such

Frederik Stjernfelt

pp.209-223

https://doi.org/10.1007/978-3-319-14090-2_12
The appropriation of the work of art as a semiotic act Francis Édeline Jean-Marie Klinkenberg (Université de Liège)

pp.225-242

https://doi.org/10.1007/978-3-319-14090-2_13
Sculpture, diagram, and language in the artwork of Joseph Beuys Wolfgang Wildgen

pp.243-257

https://doi.org/10.1007/978-3-319-14090-2_14

Détails de la publication

Maison d'édition: Springer

Lieu de publication: Dordrecht

Année: 2015

Pages: 264

Collection: Contributions to Phenomenology


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: 81

DOI: 10.1007/978-3-319-14090-2

ISBN (hardback): 978-3-319-14089-6

ISBN (digital): 978-3-319-14090-2

Citation complète:

Bundgaard Peer F., Stjernfelt Frederik (éd.), 2015, Investigations into the phenomenology and the ontology of the work of art: what are artworks and how do we experience them?. Dordrecht, Springer.