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The orchestration of the arts — a creative symbiosis of existential powers

The vibrating interplay of sound, color, image, gesture, movement, rhythm, fragrance, word, touch

Édité parMarlies Kronegger

Détails | Table des matières

Table of contents

pp.v-vii
Acknowledgements

pp.ix
The orchestration of the arts

A new approach to the great questions

Anna-Teresa Tymieniecka

pp.xi-xiii

http://link.springer.com/content/pdf/bfm%3A978-94-017-3411-0%2F1.pdf
Introduction Marlies Kronegger

pp.1-2

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_1
Music, literature, history, architecture, staging, painting, decoration

Within a symphony of the arts

pp.3-96
Paradox and metaphor

An integrity of the arts

Lawrence Kimmel

pp.5-16

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_2
Aesthetic symbiosis and spiritual quest

Grünewald's Isenheim altarpiece in Hindemith's opera Mathis der Maler

Siglind Bruhn

pp.17-51

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_3
The ambiguity of baroque enchantment

Operatic mise en abyme

Herbert Josephs

pp.53-63

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_4
The musicalization of prose

Prolegomena to the experience of literature in musical form

William Grim

pp.65-73

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_5
Calderòn's dramatic technique

The orchestration of the arts, from drama to opera

Didier Souiller

pp.75-87

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_6
Baroque splendor

Vierzehnheiligen church and Bach's b-minor mass

Sally Hoople

pp.89-96

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_7
Sharing in creative and cosmic synergies

pp.97-194
Orchestration of the universe

Reflections on Tagore's creativity

Sitansu Ray

pp.99-112

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_8
The synergies of mind and muse

Reflections on nineteenth-century thought and a comparative analysis of Dante Gabriel Rossetti's poem and painting The blessed damozel and Claude Debussy's La damoiselle élue

Sabine Coelsch-Foisner

pp.113-133

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_9
The interdependency of literature, architecture, theater and music as an expression of baroque absolutism at the Hapsburg court in Vienna Gottfried Scholz

pp.135-148

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_10
Literature and architecture as a metaphor of "grandeur" and "decadence" Marie-Odile Sweetser

pp.149-164

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_11
Louis Sullivan

The life-enhancing symbiosis of music, language, architecture, and ornament

Richard Eltin

pp.165-182

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_12
An orchestration of the arts in Wallace Stevens' "Peter quince at the clavier" Sidney Feshbach

pp.183-194

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_13
The symbiosis and the interaction of the arts

pp.195-254
The harmonic conceit

Music, nature and mind in Wordsworth's prelude

Jason Snart

pp.197-207

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_14
Histoire de l'aveugle

"matiérisme"'s critique of vision

Rachel Perry

pp.209-240

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_15
Images of water and the sea in Tristan L'hermite's "La mer" and in painting Cynthia Osowiec Ruoff

pp.241-254

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_16
Arts interacting with our perception of nature and human life

pp.255-302
Fire and ice

Le verre magique, le vrai magique

Patricia Trutty-Coohill

pp.257-264

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_17
W. E. B. Dubois' the souls of black folk as an example of the tragic Robert Schaffer

pp.265-274

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_18
The blending of natures and the perception of the real Tony Raczka

pp.275-281

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_19
The symbiosis and the interaction of the arts

Cesário Verde, poet/painter

Nancy Campi De Castro

pp.283- 292

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_20
This is mine, and I can hold it

Edna St. Vincent Millay and her music

Karen Karbiener

pp.293-302

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_21
The poetic inter-reflection of the arts

pp.303-362
The terpsichorean poem Debra San

pp.305-313

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_22
A study in nostalgia

The orchestration of life in façade

George Tibbetts

pp.315-323

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_23
Interreflection of complementary expressive means in combined-media art performances Lydia Voronina

pp.325-342

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_24
The orchestration of the arts in Leïla Sebbar's Shérazade, 17 ans, brune, frisée, les yeux verts Mary Elisabeth Mccullough

pp.343-350

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_25
Beauty and the dialogue of the arts Osvaldo Rossi

pp.351-362

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_26
Arts nurturing human culture

pp.363-467
A look at modernism from the keyboard

The piano in the parlor and abstract art

Eldon Van Liere

pp.365-378

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_27
Pierre Puvis de Chavannes, Richard Wagner, and Émile Bernard

Composition and meaning in the late nineteenth century

Deborah Trousdale

pp.379-389

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_28
The temporal character of Catherine Schieve's Slide opera Karl Volkmar

pp.391-400

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_29
An unfolding of theory and practice

From Ingarden to a phenomenological aesthetic for opera

Ellen Burns(Department of Philosophy, Yale University)

pp.401-416

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_30
Emotion, metaphor, music, and humor Warren Shibles

pp.417-436

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_31
The cultural milieu of Francis Poulenc (1899–1963) and his "musique de tous les jours" Stephanie Weaver

pp.437-467

http://link.springer.com/chapter/10.1007/978-94-017-3411-0_32
Index of names

pp.469-475

Détails de la publication

Maison d'édition: Kluwer

Lieu de publication: Dordrecht

Année: 2000

Pages: 481, xiv

Collection: Analecta Husserliana


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: 63

DOI: 10.1007/978-94-017-3411-0

ISBN (hardback): 9789048153350

ISBN (digital): 978-94-017-3411-0

Citation complète:

Kronegger Marlies (éd.), 2000, The orchestration of the arts — a creative symbiosis of existential powers: The vibrating interplay of sound, color, image, gesture, movement, rhythm, fragrance, word, touch. Dordrecht, Kluwer.